AI 电影工业化方法论AI FILM, INDUSTRIALIZED
《海盗王》AI 电影工业化制作方法THE PIRATE KING — AN INDUSTRIAL METHOD
把传统剧组的每个岗位翻译成 AI 等价物:一条九步流水线,从素材归集贯穿到成片整备;一套三层锚定系统,保证角色与场景在数百次生成中不漂移。方法论已在《海盗王》20、27 两场共 37 镜实战走通——其中第 27 场 29 镜一次合成 2 分 38 秒,全部经验沉淀为可复用的白皮书。
Every crew role translated into its AI equivalent: a nine-step pipeline running from asset intake to final conform, held by a three-layer anchoring system that keeps characters and worlds from drifting across hundreds of generations. Battle-tested on 37 shots of The Pirate King — including a 29-shot, single-pass 2'38" sequence — and distilled into a reusable whitepaper.
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01素材归集Asset IntakeASSET INTAKE所有参考、设定与素材,进入同一个库。Every reference and asset, into one library.ST-01
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02导演意图拆解Intent BreakdownDIRECTOR'S INTENT导演意图,拆成可执行的条目。Direction, itemized into executables.ST-02
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03影像风格圣经Visual Style BibleSTYLE BIBLE全片共用的一条视觉基准线。One visual baseline for the whole film.ST-03
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04一致性参考Consistency ReferenceCONSISTENCY REF角色与场景的锚点素材,在此定版。Anchor references for character and world, locked here.ST-04
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05提示词框架Prompt FrameworkPROMPT FRAMEWORK统一的语法,而不是零散的咒语。A shared grammar, not scattered incantations.ST-05
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06分镜提示词Shot PromptsSHOT PROMPTS分镜总表,逐镜落成提示词。The master board, written out shot by shot.ST-06
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07环境首帧Environment First FrameFIRST FRAME每个场景先立第一帧基准,再谈运动。A first-frame baseline per environment, before motion.ST-07
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08生成GenerationGENERATION进入产线,批量出片。Onto the line; footage in batches.ST-08
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09整备ConformCONFORM面向剪辑台的交付整备。Conformed and staged for the cut.ST-09
VisionFlow 集成画布VISIONFLOW — THE INTEGRATED CANVAS
节点式 AI 创作画布:文本、图像、视频三类节点,把分散的模型能力接进一张可编排的画布。30 页概念 deck、演示 Demo 与官网均已上线——上一张图纸里的方法论,在这里长成了一件可以交到别人手里的工具。
A node-based AI creation canvas: text, image and video nodes wiring scattered model capabilities into one orchestratable surface. Thirty-page concept deck, live demo and site online — the methodology from the previous sheet, grown into a tool you can hand to someone else.