AIGC 电影 · 剧集AIGC FILM & SERIES
《诡舍》第一集GUI SHE — EP.1
志怪悬疑剧集的工业化验证:单集制作周期 10 天、直接成本 5000 元级——用可复制的流程把"一个人的抽卡"变成"一个组的生产"。艺术设定、分镜、视频物料全链路由 AIGC 完成,项目书公开可查。
An industrial proof-of-concept for AI-native episodic drama: one episode, ten days, at a four-figure RMB cost. As Art Director & AIGC Technical Director I built the reproducible pipeline that turns solo prompt-rolling into team production — from art bible to storyboard to final footage.
《海盗王》THE PIRATE KING
明代隆庆开关背景下的海岛奇幻——异色双瞳的少年海生,在"终岛"的海伯祭夜市与真海怪的袭击之间,撞开一个半人半神的世界。《加勒比海盗》的冒险体量 × 国剧《河神》的民俗质感。本片同时是一次方法论实验:42 镜分镜总表、4K 关键帧体系、角色一致性锚定与九步工作流,全部沉淀成可复用的白皮书。
A Ming-dynasty island fantasy: a boy with mismatched eyes caught between a night-market sea rite and a very real sea monster — Pirates-of-the-Caribbean scale with Chinese folk-horror texture. The film doubles as a methodology lab: a 42-shot master board, 4K keyframe system, character-consistency anchoring and a nine-step pipeline, distilled into a reusable whitepaper.
《老金钩:黄皮子诅咒与渤海国金脉》OLD GOLD HOOK
民国三年,穆棱老金沟。七口壮丁一夜消失,只剩七碗苞米粥和一串"三寸金脚印"——白毛黄皮子索命的传说背后,是渤海国金脉与人心的双重矿洞。先行 PV 以 0.5 秒级快切建立视觉符号,策划书与六列分镜表完整。
Manchuria, 1914: seven gold miners vanish overnight, leaving seven bowls of porridge and a trail of three-inch golden footprints. Behind the weasel-spirit legend runs a double mine — the lost Bohai gold vein, and human greed. Teaser PV built on half-second jump-scare cuts; full pitch deck and six-column board.
七口壮丁,一夜消失。
桌上只剩七碗苞米粥,
门外一串"三寸金脚印"。Seven miners, gone overnight.
Seven bowls of porridge left on the table,
and a trail of three-inch golden footprints outside.
《海边一日》A DAY BY THE SEA
入围国际电影节单元的数字影像作品——安静的一部,放在这里,像正片之间的一次换盘。
A digital moving-image work selected for an international film-festival program — the quiet one, a reel change between features.
北京国际电影节 AIGC 艺术单元宣传片 + 《1992》BJIFF AIGC PROMO + 1992
为北影节 AIGC 艺术单元"全球新艺术人才计划"制作的 52 秒宣传片;同期个人短片《1992》(2'19")。二者同收录于 Z-A 平台。
A 52-second promo for the Beijing International Film Festival's AIGC Art Program (Global New Artist Initiative), alongside the personal short 1992 (2'19"), both hosted on Z-A.
AIGC 个人创作年鉴ANNUAL ARCHIVE 2023-2025
从 2023 年 Runway Gen-2 的"古早"实验,到按月归档的创作年鉴,再到三年总混剪——一条完整的技术进化史。放在作品集里,它回答的问题是:这个人不是赶上了 AIGC,而是从第一天就在场。
From day-one Gen-2 experiments in 2023 to a monthly archive and a three-year supercut — a complete evolutionary record. Its message: not a latecomer riding the wave, but present since day one.
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2023元年 · GEN-2YEAR ZERO · GEN-2
Runway Gen-2 的"古早"实验:甲壳虫拉力测试。画面粗粝,噪点未消——但从第一天起,镜头已经在动了。The "ancient" Gen-2 experiments — Beetle rally tests. Rough, noisy frames, but from day one the camera was already moving.
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2024进入节展INTO THE FESTIVALS
创作开始按月归档;同年为北京国际电影节 AIGC 艺术单元制作宣传片,个人短片《1992》同期收录。The practice becomes a monthly archive; the BJIFF AIGC-program promo and the short 1992 arrive the same year.
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2025体系成形THE SYSTEM TAKES SHAPE
三年总混剪完成——实验沉淀为方法;《老金钩》等剧集开发以完整策划书与六列分镜表推进。The three-year supercut lands — experiments settle into method; series development like Old Gold Hook runs on full decks and boards.
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2026工业化 · 进行时INDUSTRIAL · ONGOING
《诡舍》用 10 天走通单集工业化流程,《海盗王》把方法沉淀成九步白皮书——这本年鉴,仍在继续写。Gui She proves the ten-day episode; The Pirate King distills the method into a nine-step whitepaper — and the archive keeps writing itself.
是从第一天就在场。NOT A LATECOMER RIDING THE WAVE —
PRESENT SINCE DAY ONE.